Written by Grant Goodman, 4/8/2015
Dark YA starts with William Golding’s Lord of the Flies, the tale of a plane full of boys that crash-lands on an island. The only adult (the pilot) is killed on impact and the kids are left to fend for themselves. What follows is a tale of adolescents torn between holding onto order and letting themselves become wild beasts.
If you enjoyed The Hunger Games for its starkly brutal critique of what war does to children, then you’ll find yourself swept away by Lord of the Flies.
The boys make early attempts at sticking together. They try to establish rules and they try to look out for the youngest kids of the bunch. But the longer they are there, the more they give in to their darker urges. Their clans split and they find themselves in a power struggle with one another.
Packs of boys become hunters and they are overtaken by bloodlust. They paint their faces for the hunt and in doing so, they change into catastrophically evil versions of themselves. The peaceful kids are trampled on (figuratively) or outright murdered (literally).
Like many popular YA stories, (catching) fire plays an important recurring role. First, fire is a way of signaling for rescue. Throughout the novel, though, the fire goes out or it burns too low, which is a fantastic symbol for the boys losing their connection to the rest of human society. At the very end, fire is turned into a destructive force, meant to force one of the boys out of hiding and into the waiting ambush of those who wish to kill him.
While Lord of the Flies isn’t necessarily classified as YA, it’s a novel about young adults and their tendencies and urges. When it was first published, it pushed the boundaries of violence and despair and decades later it remains as a milestone moment for books about young adults.